Art Deco Journals
My undergraduate school colors were blue and gold, and it must be on my brain this time of year. I have a habit of making longstitch books in smaller formats because I like the chunk factor, but folks ask for sometime along the lines of A5 regularly. This pair of books each open easily, won’t bust, and the metallic faux leather is dreamy in person. The faux leather is thick and soft, and is composed of PU, not vinyl. All 256 lined pages of fountain pen friendly paper are held together with linen thread and the single gold snap closure.
Details: 8.25 X 5.25 inches; late medieval longstitch binding; 256 lined pages of 64gsm Japanese paper chosen for pencil and inks.
My undergraduate school colors were blue and gold, and it must be on my brain this time of year. I have a habit of making longstitch books in smaller formats because I like the chunk factor, but folks ask for sometime along the lines of A5 regularly. This pair of books each open easily, won’t bust, and the metallic faux leather is dreamy in person. The faux leather is thick and soft, and is composed of PU, not vinyl. All 256 lined pages of fountain pen friendly paper are held together with linen thread and the single gold snap closure.
Details: 8.25 X 5.25 inches; late medieval longstitch binding; 256 lined pages of 64gsm Japanese paper chosen for pencil and inks.
My undergraduate school colors were blue and gold, and it must be on my brain this time of year. I have a habit of making longstitch books in smaller formats because I like the chunk factor, but folks ask for sometime along the lines of A5 regularly. This pair of books each open easily, won’t bust, and the metallic faux leather is dreamy in person. The faux leather is thick and soft, and is composed of PU, not vinyl. All 256 lined pages of fountain pen friendly paper are held together with linen thread and the single gold snap closure.
Details: 8.25 X 5.25 inches; late medieval longstitch binding; 256 lined pages of 64gsm Japanese paper chosen for pencil and inks.